ANNE | BIOGRAPHY
Anne was born in Queensland, Australia, on September 13, 1956, the third daughter
in the family. Raised on a vast 26,000-acre beef cattle property in North Queensland,
Australia, Anne and her four sisters were true country kids. They spent their time
horseback riding, mustering cattle, and swimming in flooded creek beds during the
wet season. At eleven or twelve years of age, she would drive the Land Rover slowly
through parched paddocks in the dry season, with her sisters standing on the back,
dropping hay for the cattle.
Anne has a distinct memory of standing in the family’s front garden when she was
seven or eight years old. It was a sunny day, very hot, and her mother was hanging
the laundry on their clothesline. Anne told her mother that there was something
she needed to do, and her mother casually replied that she should run off and play,
but Anne said, “That’s not what I mean.” It was a moment of absolute clarity for
Anne, a premonition of the deeply felt belief that would become her passion and
life’s work.
Growing up, she pored over magazines such as National Geographic and Life
(her favorite), with their high values placed on the strength and quality of their
photography. She loved images of people and remembers being fascinated by the concept
of a single still image capturing an exact moment in time that could never be repeated.
At 17, Anne took a job with a chain of tourist hotels in New Zealand, traveling
overseas for the first time. To record her day-to-day adventures, she began taking
literally hundreds of photographs, observing and learning to appreciate the different
qualities of natural light. When she was 22, Anne opened and closed her small retail-clothing
store, Daddy Long Legs, and was hired as a secretary at a local television station
in Brisbane, Australia, moving into a setting where a visual medium was at the forefront.
She thrived in the concentrated, creative environment and also met Kel Geddes, the
station’s programming director. Anne and Kel married in Hong Kong in 1983.
In Hong Kong, re-evaluating her career options—she had to relinquish her job in
marketing and publicity for a large chain of department stores in Queensland, Australia—Anne
decided to endeavor to establish a small portraiture business, photographing neighbors’
and friends’ children, on location in their homes, gardens, or local parks. She
attached a handwritten notice to the community board in her supermarket, and slowly,
calls came in.
After two years in Hong Kong, during which she built up a fairly extensive portfolio,
Anne and Kel returned to Sydney, Australia; they welcomed their first daughter in
1984. Working from inside their family home, Anne created her first photographic
holiday card for her family, which led to cards for friends and soon, the launch
of her small personalized greeting card business. As Kel’s television career continued
to advance, the family moved to Melbourne, Australia, in 1986.
In Melbourne, Anne set up her first studio, reclaiming an old run-down garage at
the back of their garden. Acting as an unpaid assistant to a local photographer,
Anne developed her interest in working in a studio environment. She also entered
her first photographic competition and placed second. Anne and Kel’s second daughter
was born in Melbourne in 1986. The family moved to Auckland, New Zealand, when Kel
was commissioned to launch the first independent television network in that country.
In 1988, Anne’s image of Gemma, a little girl standing in a tutu, taken previously
in her studio in Melbourne, became her first published photograph, appearing in
a local magazine in Auckland. The magazine feature on Anne and her photography and
this image of Gemma created an interest in what was at the time a very different
style of portraiture. After a short (“harrowing” in her words) experience as a wedding
photographer, Anne decided to specialize in children’s portraiture, working out
of her tiny new studio, Especially Kids, in Auckland.
Anne’s portraiture business was thriving, and in 1990, she decided to take one day
a month to explore her inspirations and create an image purely for herself. The
first and second images from these personal shoots were “Joshua” and “Rhys and Grant,”
twins who became known as her “Cabbage Kids”—one of her most recognized photographs
around the world.
In 1992, Kel left his highly successful career as Network President of Programming
for Australia’s Channel 10 and became Anne’s business partner, and the first Anne
Geddes card collection was introduced in New Zealand, becoming an instant success.
Anne placed 1st in two sections at the AGFA Photokina in Germany, among other awards
and accolades. It was this level of professional recognition, coupled with
a request to help raise money for the prevention of child abuse, and the success
of Anne’s greeting cards that led to thoughts of producing a calendar.
It was ten years between the time Anne first photographed friends’ babies in Hong
Kong and the publication of the first Anne Geddes calendar, released in New Zealand
in 1992. When she was approached about increasing awareness of the prevention of
child abuse, Anne recalled the shadow of her own emotionally barren childhood; this
first opportunity to reach a wider audience with her images went hand-in-hand with
her desire to help others and support children, the most vulnerable in our society.
Anne and Kel were unable to attract a publisher and distributor, so they sold the
calendar door-to-door from the back of their car and in camera store outlets, collecting
more than US $20,000 to help prevent child abuse and neglect. Their charitable giving
formed the basis for what later became the nonprofit Geddes Philanthropic Trust.
Anne and Kel took a leap of faith to publish her second calendar, available in 1993
in New Zealand and Australia. They sold their home in New Zealand and—confident
they could risk it all, even with two girls to raise—invested their life savings
to self-publish 20,000 copies in Australia; the calendar sold out within three weeks.
Using the profits, they printed another 20,000 copies, which also sold
out. Soon afterward, they received a call from an interested publisher. Anne’s calendars
continue to be extremely successful. The charitable side of Anne and Kel’s life
extended to include donations from all product sold under the Anne Geddes name.
At this time, Anne and Kel were reading bedtime stories full of fantasy characters
to their young girls, and Anne began to envision a fairy tale told through photography—the
beginnings of her first large-format gift book, Down in the Garden. Including
many of the images she shot during her personal sessions, expanding upon her artistic
vision, Down in the Garden was published in 1996 and led to Anne’s first
appearance on “The Oprah Winfrey Show.” Oprah’s chat with Anne and her enthusiastic
appreciation of Anne’s imagery featured on the show ignited interest in Anne coast-to-coast
in the U.S. Down in the Garden took the world by storm and received broad
international acclaim as the world fell in love with Anne and her distinctive imagery.
Contributing her expertise in another visual media, Anne directed two television
commercials inspired by her images for a leading U.S. retailer in 1997. Reaching
the extensive national broadcast audience in the U.S., her work in this field won
Gold Awards for Best Retail Commercials at the Annual Retail Award Presentations.
Her artistry continued to develop and Anne explored new expressions of her deeply
held belief that we must protect, nurture, and love all children. In 1998, she and
Kel formally founded the Geddes Philanthropic Trust and inaugurated the first Geddes
Fellowship, a program to fund a dedicated primary physician concentrating
in the identification, treatment, and research of child abuse and neglect—in this
instance at the Children’s Hospital at Westmead in Sydney, Australia.
Awards and accolades, such as the prestigious Kodak Fotobuchpreis, continued
to recognize her new works and achievements, including her internationally bestselling
calendars and books.
Anne’s 1998 book Until Now, printed in eight languages, included
her previously unpublished, sophisticated black-and-white studies, revealing to
many a new side of her creativity and originality. She embarked on her first international
book tour, and sat with top magazine, newspaper, and television interviewers, who
brought her images to new and expanding audiences in several countries. Her photographs
became classic icons celebrating the beauty, purity, vulnerability, and preciousness
of children. Until Now, together with her earlier titles—among them My First Five Years and Little Thoughts with Love—continued
to be top sellers, and by 2000, more than 14 million Anne Geddes books had been
sold worldwide.
Reflecting her years of experience with new babies and her conversations with more
than 2,000 mothers—and seeing how mothers struggled with clothing in her now-larger
Auckland studio, Anne designed an elegant and timeless collection of clothing and
accessories for infants. Made with baby’s comfort in mind, Anne Geddes Baby was
introduced in 2001. Anne Geddes Baby offerings are available at Anne’s web site,
www.annegeddes.com, which had launched in 1999 and remains an international success
story, attracting more than 3.1 million visits yearly from more than 220 countries.
In close succession, Anne released two internationally bestselling books. Five years
in the making and launched simultaneously in Europe and the U.S. in 2002, PURE
was an impressive visual statement of the new directions Anne was pursuing in color
and black-and-white photography and received international acclaim. In PURE,
Anne depicted the absolute promise of a newborn and the honest beauty of pregnant
women.
The genesis of MIRACLE, Anne’s artistic collaboration with Celine
Dion, was Anne’s thought that she might be in a position to bring joy to Stacy,
a nine-year-old girl struggling with cancer. She and Kel were very close to Stacy,
who was a huge fan of Celine. Anne had heard that Celine was a fan of hers, so she
thought she might ask Celine to contact the girl. She did, and Celine phoned Stacy
in her hospital room. From Anne’s call to thank Celine grew an understanding of
their common values, and the images and music that became Miracle, published
simultaneously in 22 countries in 11 languages in 2004.
Continuing their charitable giving, more than $83,400 from the Geddes Philanthropic
Trust was donated in 2005 to the UNICEF South Asia Tsunami Relief Effort.
Following Hurricane Katrina in the U.S., Anne and Kel provided more than 20,000
items of Anne Geddes Baby clothing to benefit the babies affected.
Also in 2005, Anne and Kel christened the first Anne Geddes retail store
in the Downtown Disney® District in Anaheim, California. For the
first time, visitors could enjoy selections of Anne’s large, art-quality prints
displayed in a “viewing gallery.” Becoming a regular visitor, Anne stops by now
and again from her home in Australia, enjoying the opportunity to chat with friends
and fans and to sign her books. A live webcam has covered her visits.
Stepping from behind the camera, Anne spoke about her life and art in her eagerly
anticipated autobiography, A Labor of Love, published in 2007 to
international acclaim. She shared details of her growing-up years, her unfolding
career, behind-the-scenes stories about creating her images, and her deeply felt
dedication to helping to prevent child abuse and neglect. A Labor of Love
was preceded by Cherished Thoughts with Love (2005) and followed
by Be Gentle with the Young (2008).
In early 2009, the Professional Photographers of America (PPA) honored Anne with
its prestigious Lifetime Achievement Award, and she received a rousing ovation
for her standing-room-only keynote at Imaging 2009 in Phoenix, Arizona. Anne commenced
work on the first of two new projects in her Sydney studio, where her two daughters
now work alongside her.
Today, Anne's award-winning images have been published in 83 countries spanning
North America, Europe, the United Kingdom, Australia, New Zealand, South America,
the Middle East, Africa, and Asia. Her books have sold more than 18 million copies
worldwide and have been translated into 24 languages.
GEMMA, STANDING IN A TUTU |
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